Baynahumā explores the Arabic letter as a form in continual transition between formation and fragmentation, legibility and abstraction, presence and absence. Drawing on a documented corpus of historical Kufic alifs, the work traces the letter as it moves from line to pixel to point, fragments and reconnects, disappears and returns. At the core of the… Continue reading BAYNAHUMĀ: Between Formation and Fragmentation
Created to mark the 10th anniversary of the Gerard Unger Scholarship, Letters for the Future celebrates a decade of mentorship, experimentation, and emerging voices in type design. Named in honour of type designer and educator Dr. Gerard Unger (1942–2018), the scholarship supports exceptional typeface projects begun during a course of study and helps selected designers… Continue reading Letters for the Future: Ten Years of the Gerard Unger Scholarship
The Tibetan script has an empirically testable recorded history of 1,300 years; it has been the lingua franca of Central Asia for several centuries, around the 12th century; and Tibetan script has hundreds of unique calligraphic styles. These diverse styles are now being digitalized and being used as inspirations for designing new forms of digital… Continue reading Tibetan Typography Exhibition
The Type Directors Club (TDC) Exhibition showcases a curated selection of outstanding work recognized through the TDC’s international competitions, celebrating excellence in typography, lettering, type design, and typographic communication. Featuring award-winning projects from around the world, the exhibition highlights innovation, craftsmanship, and the evolving role of typography across print, digital, and spatial media. Presented as… Continue reading TDC Exhibition
Glyphs of Belonging was the inaugural edition of the FiftyFifty Student Traveling Exhibition, presented at ATypI 2026 Stanford. Bringing together typographic and calligraphic works by students from universities and design schools around the world, the exhibition explored how letterforms can communicate identity, memory, culture, and belonging across diverse scripts and languages. The exhibited works reflected… Continue reading FiftyFifty: Glyphs of Belonging
Glyphs of Belonging is the second edition of the FiftyFifty Traveling Exhibition, bringing together typographic and calligraphic works by students from universities and design schools around the world. Centered on the theme Glyphs of Belonging, the exhibition explores how letterforms can express identity, memory, culture, and place through diverse scripts, languages, and visual traditions. The… Continue reading FiftyFifty: Glyphs of Belonging
Devalaya Vastu type is a decorative typeface inspired by the organic iconography of South Indian temple architecture and sculpture science. This typeface is worthy of a place among the gods, detailed with curvy linear elements taken straight from the carved walls of ancient Indian temples. This typeface is exclusively created in lowercase, as traditional Indian… Continue reading Devalaya Vastu
Check out the variety of exhibitions throughout the ATypI spaces at the Brisbane Conference and Convention Centre. These inspiring shows feature award-winning typeface design, experimental typography and graphic design of posters, found typography on neighborhood trash bins in Newcastle, sumptuous typography using fonts from Hanyi foundry, and ambigrams and mid-century modern furnishings from the land… Continue reading Shows Open at BCEC: Fifty-Fifty | Hanyi Fonts and Typography | Newcastle Bins | Type Text Roots | Type Down Under
Check out the variety of exhibitions throughout the ATypI spaces at the Brisbane Conference and Convention Centre. These inspiring shows feature award-winning typeface design, experimental typography and graphic design of posters, found typography on neighborhood trash bins in Newcastle, sumptuous typography using fonts from Hanyi foundry, and ambigrams and mid-century modern furnishings from the land… Continue reading Shows Open at BCEC: Fifty-Fifty | Hanyi Fonts and Typography | Newcastle Bins | Type Text Roots | Type Down Under
Check out the variety of exhibitions throughout the ATypI spaces at the Brisbane Conference and Convention Centre. These inspiring shows feature award-winning typeface design, experimental typography and graphic design of posters, found typography on neighborhood trash bins in Newcastle, sumptuous typography using fonts from Hanyi foundry, and ambigrams and mid-century modern furnishings from the land… Continue reading Shows Open at BCEC: Fifty-Fifty | Hanyi Fonts and Typography | Newcastle Bins | Type Text Roots | Type Down Under