Conference ATypI Paris 2023
You’re invited to celebrate all things in typography and type design! Join us in the fabulous city of Paris, as we celebrate being together and taking part of the latest discourses in typography and type design from all over the world. This will be our sixty-seventh annual conference of the non-profit Association Typographique Internationale. So mark your calendars for May 9-14, 2023, and join us as we travel to the incroible City of Light!
| 11:30–13:30 |
3D Type With Illustrator—late morning—SOLD OUTSorbonne University, Campus Pierre and Marie Curie, 4 Pl. Jussieu. Check in 15 minutes before session start time. 11:30-13:30 GMT+22-hour late morning session Learn how to create amazing 3D type with Adobe Illustrator’s new, powerful, yet easy-to-use 3D tools. We’ll start by taking a quick look at Adobe Illustrator’s individual 3D modes so that everyone… Continue reading 3D Type With Illustrator—late morning—SOLD OUT |
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| 16:15–16:45 |
Inflated TypeFrom personal experiments to the Adobe Illustrator splash screen — insights into the process, experiments, errors and lessons from designing letters in a limited 3D space. |
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| 12:30–13:00 |
Reading Emotions: A new system to express and understand emotions through typeCommunication goes bad when it lacks social connectedness. Speakers who make eye contact and proper voice inflections are more effective communicators. Speaker effectiveness is guaranteed by emoting and communicating with people, versus speaking dryly. Regular text is much like dry speakers. There isn’t any emoting; the emotion must be generated by the reader. Yet, for… Continue reading Reading Emotions: A new system to express and understand emotions through type |
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| 12:30–13:00 |
Not the Visual Synchronization but the Contextual ReinterpretationFull title: “Not the Visual Synchronization but the Contextual Reinterpretation (based on Sandoll-Typotheque collaboration projects)” Sandoll has collaborated with Typotheque on three projects over the past five years; Sandoll Greta Sans (Greta Sans KR) in 2019, Sandoll Lava (Lava KR) in 2021, and Sandoll November (November KR) in 2023. They are all multilingual-based font families;… Continue reading Not the Visual Synchronization but the Contextual Reinterpretation |
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| 09:00–17:00 |
Intro to Variable Fonts Using Glyphs—full daySorbonne University, Campus Pierre and Marie Curie, 4 Pl. Jussieu. Check in 15 minutes before session start time. 09:00-17:00 GMT+2Full-day session Variable fonts are here but not many people know how to make them. In this workshop we will start making a variable font using Glyphs, so you can take advantage of this technology. Workshop… Continue reading Intro to Variable Fonts Using Glyphs—full day |
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| 12:30–13:00 |
Signs of ResistanceA technical investigation of post-colonial sign-painting traditions across more than ten countries, and the ways designers can capture their expressiveness in traditional typeface design. This investigation examines the ways these expressions of language have evolved along similar trajectories, and what they can teach us about the politics and economics of post-coloniality. |
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| 07:20–18:10 |
Imprimerie Nationale visit—SOLD OUTWednesday, May 10, 2023 (all day) Workshop, collections, punches cabinet, and historical library Founded in 1640, the Imprimerie Nationale houses a unique collection of over 500,000 punches. Considered to be the oldest printing workshop in the world still in operation, the Imprimerie Nationale covers the entire typographic chain (design, engraving and fonts, composition and letterpress… Continue reading Imprimerie Nationale visit—SOLD OUT |
Daniel Escudeiro 
Ann Bessemans 
María Pérez Mena 
Chorong Kim 
Seulki Kim 
César Puertas 
Agyei Archer 
Eben Sorkin