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Font Licensing Mess

Font licensing is an important topic involving legal and ethical considerations in the acquisition process. We have witnessed significant changes in sales models and customer habits in recent decades. Some foundries and designers strive to make font licenses more affordable, some others work to make the process less intimidating, and a few propose new distribution terms. Licensing fonts has never been so complex and diverse. Font users often feel uncertain about their rights and obligations. Meanwhile, font creators struggle to simplify and explain their EULAs.
Licensing has always been a fundamental part of distributing digital fonts. Similar to the music and film industries, a font license protects the author’s rights. However, while most people understand that getting access to a song or a movie does not grant permission to play it in various contexts, fewer are aware of how font licensing works.
Our bilingual independent research addresses the complex issue of font licensing through data analysis. To date, we have compiled information from 157 independent foundries from 44 different countries, identifying 12 types of licenses based on the intended use of the font. In this presentation, we will share statistics, including the average font price of a single text font and the most common units used to define font licenses. Additionally, we will examine specific cases, and use them to illustrate particular situations.

In an ever-changing industry, this research can empower both newcomers and established designers to make informed decisions about their licensing models and propose new ideas for fair, easy-to-understand, and up-to-date forms of distribution. This talk marks the first public presentation of our findings, and we hope it will inspire productive conversations and debates on the topic.

María Ramos 2025
Speaker

María Ramos

María Ramos (Santa Comba, 1982) is a type and graphic designer based in Santiago de Compostela (Galicia, Spain). She holds an MA in Typeface Design from the University of Reading and is a co-founder of the Galician-Swedish type foundry NM type. As a type designer, she has created numerous typefaces, ranging from custom fonts for clients like Jägermeister or the Galician Government to experimental type like the dance-inspired variable font Movement or the recently released concrete-engraved typeface Desfeita. Her work has gained international recognition at design exhibitions and has been awarded at prestigious competitions, including ADC, TDC, European Design Awards, Print Magazine, and the Iberoamerican Design Biennale. She is involved in various collective initiatives, such as Alphabettes, the Galician Design Archive AR\DE, and the informal typographic meetings Cañas & Tipos. As a naturally curious person, she is always eager to explore and learn about topics that pique her interest. Her favourite subjects include typewriter type, Galician design heritage, and font licensing.