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Type design for Mixe language

This presentation offers a synthesis of a long-term project I have been developing since 2014 in collaboration with speakers, editors, and activists from the Mixe (Ayuujk) people of Oaxaca, Mexico. The central aim of this initiative is to create digital typographic resources and type families that fully support the written representation of the language. Beyond the design of letterforms, the work requires an in-depth engagement with the linguistic structure of Mixe—analyzing its phonological, grammatical, and pragmatic levels—and translating these elements into visual systems through type design. This interdisciplinary approach has made it possible to develop digital tools that foster community empowerment through the use and appropriation of contemporary writing technologies.

The presentation will introduce three typographic projects conceived specifically to meet the needs of Mixe. Among them is a type family that includes the digital reinterpretation of the Epiolmec syllabary, an ancient writing system considered a historical precursor of Mixe. Together, these projects illustrate how type design can bridge linguistic research, cultural heritage, and technological innovation. The project is currently supported by the SILICON Practitioners Program at Stanford University, which is expected to bring it to an advanced stage of development by 2026.

Manuel López Rocha
Speaker

Manuel López Rocha

Manuel López Rocha is a graphic and type designer from Xalapa, Mexico.

For several years, he has focused his research and creative practice on typography and type design for Indigenous languages of Mexico and the Americas. He has delivered workshops and lectures on the subject and has collaborated with speakers and linguists to design typographic solutions that address the specific needs of these languages. His work in type design has been recognized in multiple editions of the Latin American Typography Biennial Tipos Latinos (2012, 2014, 2016, and 2018).

In 2025, he published the type family Gorgias with the Argentine foundry PampaType, expanding his portfolio with a project that reflects his interest in the cultural and functional dimensions of type design.

He has taught at undergraduate and graduate levels in various universities, offering courses in typography, calligraphy, type design, and editorial design. Currently, he is a partner and designer at the studio Cuatro Ojos, professor at Universidad Anáhuac Veracruz, and a member of the Letrástica collective.