The Anatolian continent, also known as Asia Minor, is a cultural geography that has hosted various civilisations for thousands of years. Mysia, an ancient region located in the northwest of this region, hosted the significant ancient Greek city of Pergamon from the 3rd century BCE until the 3rd century CE. The Pergamon project is a Greek type revival project based on the stone inscriptions of Pergamon’s Acropolis and Asklepion. The project comprises the documentation of Pergamon’s elaborate epigraphic cultural heritage, to be transformed into a typeface via a contemporary digital tools. The goal of the project is to bring a breath of fresh air to the two-thousand-year-old carved stone inscriptions by digitizing and making them functional in today’s context. It can also be a tool for contemporary designers who deal with Greek script typography to discover the origins of these letters and create new typographic contexts. Additionally, it can be regarded as an educational tool that contributes to archaeology students’ epigraphic and linguistic training, as it offers an opportunity to study these letterforms in advance. What interested me personally was to explore the letters’ visual journey by tracing their craftspeople from two millennia ago. This project presents photographs of the inscriptions, which are the main elements of this project; a digital typeface design based on them, and the visual output of the jewelry, as a three-dimensional object designed with this typeface.
Date
Thursday, May 11th 2023
Venue
Salle 108
The Pergamon Project
Speaker
Onur Yazıcıgil
Onur Yazıcıgil is a typographer and design educator based in Istanbul. He received his MFA in visual communication design from Purdue University in the United States and PhD in graphic design from Mimar Sinan University in Istanbul. He has served as a board member at ATypI between 2013–2019 and has lectured on various topics in the field of typography. Since 2009 he’s been teaching typography and graphic design classes as a faculty member at Sabancı University. His research interests range from Latin and Arabic typographic history to 19th century Ottoman metal typefaces, with a particular emphasis on Ottoman Naskh typefaces.
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