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Font to Frame: Typography’s Cinematic Journey in Bollywood

This presentation on typography in Bollywood promises a captivating exploration of the visual language that breathes life into the vibrant world of Indian cinema. It will unfold the historical evolution of typography in Bollywood, tracing its roots from traditional hand-drawn posters to the contemporary digital era. This engaging journey through the intersection of art, culture, and cinema will reveal how typography serves as a visual thread connecting India’s rich cultural diversity to the silver screen.

This presentation will blend insightful analysis, captivating visuals, and case studies from classic and contemporary Bollywood. With the nation’s rich tapestry of languages and scripts, Bollywood embraces the opportunity to infuse cultural nuances into its poster designs. Whether it’s the ornate Devanagari script, the elegant curves of Urdu, the bold and artistic Tamil fonts, or the intricate calligraphy of Bengali, each script brings its unique artistic and cultural identity. The typography chosen for movie posters becomes an essential narrative element, conveying the film’s regional roots, flavor, and the story it intends to tell. This dynamic interplay between different scripts and typography in Bollywood posters adds depth and interest, weaving a rich cultural tapestry that resonates with audiences across India and beyond.

The emergence of OTT platforms like Netflix and Amazon Prime in India has opened exciting new avenues for graphic designers in the world of movie titles and typography. The demand for visually striking and culturally resonant typography is higher than ever. Designers find themselves at the forefront of this cinematic revolution, creating impactful and genre-specific title sequences that set the tone for storytelling.

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Speaker

Nagesh Lakhan

Experienced Graphic Designer with a demonstrated history of working in the education, management, and design industry. He enjoys exploring and learning Typography, Information Design, and Branding. He has a strong education foundation (Master of Design) focused on Graphic Design from the National Institute of Design, India. He has worked as Communication Designer with Decathlon and Product Graphic Designer for TI Cycles of India. The experience of working with different sectors gives him an edge to approach a problem logically in a methodical manner.