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Constructed scripts: What are the rules of the game? (And how do we change them?)

A key feature of constructed scripts—type and lettering designs that diagram themselves—is that one can read off their design spaces and procedures of creation from their appearances. But there are frequently many different ways to ‘play the game’ of these scripts—any given designer’s choices are never definitive, and no algorithms for these scripts are ever exhaustive. There are always alternatives, always possibilities for redefining or tweaking a design’s parameters to think about what can be letters and what letters can be.

After a brief discussion of Douglas Hofstadter’s ‘Letter Spirit’ project, a look at a few examples, and a warmup exercise to help us get familiar with these ideas, we’ll look at, reverse-engineer, and think about how we might re-imagine the rules of these scripts by designers like Josef Albers, Wim Crouwel, Jurriaan Schrofer, Norm, Hamish Muir and Paul McNeil, Radim Peško, Vanessa Zúñiga Tinizaray, and others. Participants will share ideas and feedback, and generate and display printed specimens of their results. The goal of this workshop is to help designers and design educators interested in constructed scripts—or in algorithmic formal system designs generally—understand and appreciate, and hopefully inspire them to incorporate in their own work and studio projects, the elements of puzzle-solving and play in these scripts.

Maurice Meilleur
Speaker

Maurice Meilleur

Maurice Meilleur is a recovering political theorist turned graphic designer and design researcher and writer. He completed his MFA in graphic design at the University of Illinois at Urbana-Champaign in 2015. He’s an assistant professor of graphic design at Iowa State University, where he teaches typography, computational design, design ethics and theory.

He has contributed numerous type and book reviews to Typographica and Fonts in Use.

He’s writing books on constructed scripts and the work of Jurriaan Schrofer, and he’s presented his research at Robothon, ATypI, TypeCon, the Cooper Union, the Letterform Archive, and Automatic.

Maurice explores digital type and animation as part of a larger investigation into typographic representation and algorithmically-defined formal systems.