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Early Persian printing and typography in Europe

This presentation discusses the birth of Persian printing and typography in Europe during the late 16th and early 17th centuries, a subject has so far has eluded rigorous investigation by historians. It draws on materials of the Medici Press and Propaganda Fide Press, which have not been presented publicly before in any typographic environment. The aim is to demonstrate how historical enquiry can support the discussion of visual culture in the typographic representation of different language communities, and their relevance in designing type today. Since the 9th century, the Persian language, which is written in an extended version of the Arabic script, also known as “New Persian,” has been used by most Persian-speaking people. The Persian language gradually found a distinct visual identity through the introduction of new writing styles, especially nastaʿlīq. Early European printers who wanted to print Persian often ignored this stylistic distinction and used any available Arabic types for setting Persian text. The presentation will show the rare yet significant instances of Persian printing where the distinct identity of Persian writing styles has played a role in the typographic representation of the Persian language.

Speaker

Borna Izadpanah

Borna is a typeface designer and researcher based in London. He holds an MA in Typeface Design from the University of Reading and an MA in Graphic Design from the London College of Communication. He is the designer of award-winning typefaces Lida and Lalezar, and more recently, Markazi Text which he co-designed together with Fiona Ross and Florian Runge.

He is currently undertaking PhD research at the University of Reading. This research project is supervised by Gerry Leonidas and Fiona Ross and funded by the Arts & Humanities Research Council under the auspices of the Design Star Doctoral Training Centre.